{"version":"1.0","provider_name":"Premi Internacional de Dansa Roseta Mauri","provider_url":"https:\/\/rosetamauri.org\/en\/","author_name":"opissostudio","author_url":"https:\/\/rosetamauri.org\/en\/author\/opissostudio\/","title":"Carlos Labi\u00f3s explains Sigfrid's 3rd act variation - Premi Internacional de Dansa Roseta Mauri","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"rDmlitbs3l\"><a href=\"https:\/\/rosetamauri.org\/en\/carlos-labios-explains-sigfrids-3rd-act-variation\/\">Carlos Labi\u00f3s explains Sigfrid&#8217;s 3rd act variation<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/rosetamauri.org\/en\/carlos-labios-explains-sigfrids-3rd-act-variation\/embed\/#?secret=rDmlitbs3l\" width=\"600\" height=\"338\" title=\"&#8220;Carlos Labi\u00f3s explains Sigfrid&#8217;s 3rd act variation&#8221; &#8212; Premi Internacional de Dansa Roseta Mauri\" data-secret=\"rDmlitbs3l\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/rosetamauri.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Spotlight on variations! Carlos Labi\u00f3s, classical dance teacher at\u00a0Conservatorio de danza de Riba-roja de T\u00faria, explains the nuances of prince S\u00edgfrid 3rd act variation, in Swan Lake. This variation is perfect for him because allows the dancer to unfold his technique while in the jump and spin, and it helps as well to improve in [&hellip;]"}