XII Edition
March 11-14, 2026
The 12th edition of the Roseta Mauri International Award features, as usual, relevant figures from the world of dance.
Furthermore, the Award is one of the best economically endowed competitions held in the Spanish State.
Joaquín de Luz, former principal dancer of the New York City Ballet, returns as president of the jury. The rest of the jury members are Jone San Martín, Mathieu Ganio, and Paola Vismara. Arantxa Argüelles will be the classical dance teacher (or mistress of classical dance) and Lluís Carmona will accompany her on the piano.
Prizes
First Prize – €5000
Second Prize – €2000
Third Prize – €1000
Audience Award – €600
1 beneficiary. Awarded by the Association of Dance
Teachers of the Regions of Tarragona (Associació de
Professors de dansa de les Comarques de Tarragona)
*Corresponding Income Tax (IRPF) retention applies
Scholarship
Scholarship: Scuola di Ballo Accademia Teatro Alla Scalla di Milano - Vermuts Miró
1 Scholarship
One week of training (Monday to Saturday) to be arranged between the winner and the institution during 2026. This scholarship includes a grant of €1000 to help cover expenses for travel, accommodation, and subsistence. Any expense exceeding €1000 will be borne by the student.
Scholarship: Royal Academy of Dance
1 Scholarship
A scholarship of €1,000 for an intensive course chosen by the winner. Any expense exceeding €1,000 will be borne by the student.
Scholarship: National Dance Company (Compañía Nacional de Danza - CND)
1 Scholarship
One-week residency scholarship to take classes and attend company rehearsals. Expenses for accommodation, subsistence, and travel will be borne by the student. The dates of the residency will be arranged according to the availability of the scholarship recipient and the organisation.
Scholarship: Real Conservatorio Profesional de Danza Mariemma
2 Scholarships
Three-month training residency. Expenses for accommodation, subsistence, and travel will be borne by the student. The dates of the residency will be arranged according to the availability of the scholarship recipient and the organisation.
Specialised dance photography session by DANS PX
Will be awarded to the winner of the Audience Award and the winner of the CND scholarship.
Photography session to be conducted before 31/12/2026 in Reus, Valls, or Tarragona, with delivery of 15-25 photographs in high resolution and digital format.
Jury,
teachers
& pianist
Joaquín de Luz
jury chairman
International dancer and former director of CND
He began his ballet studies at the school and company of Víctor Ullate. In 1996, the Pennsylvania Ballet offered him a position in the company as a Soloist Dancer. In 1997, he joined the corps de ballet of the American Ballet Theater in New York, and a year later he was named Soloist Dancer. In 2003, he joined the New York City Ballet as a Soloist Dancer and was appointed Principal Dancer two years later, in 2005. With this company, he danced at the Lincoln Center in New York, as well as in the most important theatres in the world. He performed major roles in the classical and neoclassical repertoire, especially works by George Balanchine, Jerome Robbins, and Peter Martins. Furthermore, de Luz has also danced contemporary ballets by Susan Stroman, Christopher Wheeldon, Wayne McGregor, Alexei Ratmansky, and Justin Peck.
He directed Compañía Nacional de Danza (2019-2024). De Luz has also received numerous awards such as the Benois de la Danse in 2009 and in 2016 he was awarded with the Spain’s Ministry of Culture National Prize for Dance in the category of performance. Currently, Joaquín de Luz is the director of los Veranos de la Villa en Madrid.
Jone San Martín
jury member and contemporary dance professor
Choreographer and Performer
Jone San Martín’s artistic career has developed mainly in Belgium and Germany, where she has worked in numerous companies such as Archipel Sud and Phillippe Talard’s Ulmer Theater. In 1992, William Forsythe invited her to join the Frankfurt Ballet, and since then, her career as a performer and Soloist Dancer has been closely linked to the work of the American choreographer. She was part of The Forsythe Company from its creation in 2005 until its dissolution in 2015. As a choreographer, she has presented pieces such as Ser, estar o parecer, Juana la otra, Legítimo Rezo, Jugo, Any Body Sounds, among other titles. In 2006, Jone San Martín received the Artistic Trajectory Award granted by the Association of Dance Professionals of Guipúzcoa, and in 2016 she was awarded a Carte Blanche by the city of Donostia (San Sebastián).
Currently, her choreographic research focuses on communication, collaborating with non-hearing persons and sign language translators to reveal the powers of physical languages. Her recent works on deafness include “ADITU 1” (San Sebastián), “ADITU 2” (Pfalztheater Kaiserslautern and Palzinstitut für Hören und Kommunikation, Frankenthal), and “sORDA”, a new solo premiered at Matadero Madrid.
Jone San Martin has been a member of the Dance On Ensemble since 2015.
Mathieu Ganio
jury member
Étoile of the Paris Opéra National Ballet
Born in Marseille, Ganio trained at the École Nationale Supérieure de danse in his hometown. In 1999, he entered the school of the Paris Opéra Ballet and two years later joined the corps de ballet of the French company. Ganio quickly rose through the ranks and was named Étoile in 2004 after performing in Don Quixote (Rudolf Nureyev version). In 2005, he was recognised with the Prix Benois de la Danse. In 2020, he was named officier of the Ordre des Arts et des Lettres.
Ganio’s repertoire includes principal roles in Romantic, Classical and dramatic ballets, a broad repertoire of neo-classical works by George Balanchine and Jerome Robbins, ballets by Serge Lifar, Roland Petit, Maurice Béjart, Pierre Lacotte and Angelin Preljocaj, as well as multiple works by John Neumeier, William Forsythe and Wayne McGregor. With the Paris Opéra Ballet, he has performed in the United States of America, Switzerland, the United Arab Emirates, Singapore, Japan and Australia. Mathieu Ganio retired from the Paris Opéra Ballet on 1 March 2025, following a performance of Onegin.
Paola Vismara
jury member
Ballet Teacher and répétitrice at the Ballet School of Teatro alla Scala
Paola Vismara graduated from the Scuola di ballo del Teatro alla Scala in 1988, which she subsequently joined. During her brilliant career as a dancer, she performed in prestigious Italian theatres such as the Teatro dell’Opera di Roma, the MaggioDanza company of the Teatro del Maggio Musicale Fiorentino, and the Deutsche Oper Berlin. In these companies, she starred in important roles such as Giselle, La Sylphide, Don Quixote, The Nutcracker, and Carmen, among many others, in addition to collaborating with highly relevant choreographers. For many years, Vismara was the dance partner of Maximiliano Guerra, with whom she participated in numerous galas around the world.
In the year 2000, she began teaching at different Italian dance schools and companies such as Aterballetto, Balletto di Toscana, Balletto di Torino, and MaggioDanza. In 2011, she joined the La Scala Theatre Ballet School in Milan, where she teaches classes in advanced courses, instructs on repertory, and assists the choreographers in the school’s productions. She has also been a guest teacher with various international companies, including the Royal Ballet – London, Teatro Colón – Buenos Aires, Ballet am Rhein – Düsseldorf, Compañía Nacional de Danza – Madrid, and Hamburg Ballet – Hamburg. Additionally, she serves as a consultant and Artistic Director for some events organized by AMAT (Associazione Marchigiana Attività Teatrali).
Arantxa Argüelles
ballet mistress
Ballet Mistress at the Ballet Academy of the Vienna State Opera and rehearsal director
Argüelles has been a principal dancer with the Spanish National Ballet (Ballet Nacional de España), the Berlin State Opera Ballet (Ballet de l’Òpera de Berlín), and the Royal Danish Ballet. She has also worked with great masters such as Maya Plisetskaya and has danced with great dancers like Peter Schauffus, Julio Bocca, Charles Jude, and Laurent Hilaire. In 1997, she was appointed Artistic Director of the Zaragoza Ballet, a position she held for two years.
While overseeing the team at her Dance Centre in Zaragoza, she has been a guest teacher for various European companies, competitions, and events, created productions, and worked as an instructor at the Mariemma, Fortea, and Carmen Amaya Professional Dance Conservatories in Madrid. For the 2023-24 season, she joins the National Dance Company (Compañía Nacional de Danza) as a maestra-repetidora (rehearsal mistress) by invitation of its director, Joaquín De Luz. Currently, Argüelles is a teacher at the Ballet Academy of the Vienna State Opera
Lluís Carmona
Pianist
Pianist and composer
A pianist specializing in accompaniment and composition for dance, Carmona has worked and collaborated with national and international companies and has accompanied great masters such as María de Ávila, Víctor Ullate, Anne Therese de Keersmaeker, Susanne Linke, Dominique Mercy, Guillermina Coll, among others.